by Editor Michel Romaggi
Edited and published by Yvette Depaepe, the 24^th of April 2026

THE CITY

For the photographer, the camera is much more than just an instrument for making observations; it is a reflection of their sensitivity, experience and understanding of the world. 

‘colors of Shanghai’ by Carmine Chiriacó

‘Flying on the Rooftops’ by Njsabs (Jennifer)

Each photographer develops over time a unique way of seeing.

‘TLV architecture’ by Arnon Orbach

‘Light from the window’ by Sarawut Intarob

‘Empire State of Mind’ by Carmine Chiriacó

The eye educates itself through cultural influences, artistic references, emotional experiences and practice. The resulting style is therefore not only a matter of technique, but also a visual expression of an inner vision. 

‘Rivero’ by Jose C. Lobato

‘I lost my Heart in Akureyri’ by Hans-Wolfgang Hawerkamp

‘Puerto Madero Buenos Aires’ by Alfredo Yañez

A photographic style is created through the dialogue between the photographer's gaze and the world. The camera is merely a tool; it is the photographer's eye that gives the image meaning. 

‘The three with the umbrella’ by Anette Ohlendorf

‘fish are calling you’ by Desmet Patrick

‘Foggy Thames’ by Adachi Lintaman

Photography is used as a visual language, rather than as a reflection of reality. This style is born from a critical and sometimes abstract perspective.

‘Montreal Night’ by YuppiDu

‘Lanthanum’ by Holger Glaab

Photographic styles are not fixed categories, but rather an expression of different perspectives. They reflect the way in which each photographer perceives, feels and interprets the world. When developing their style, photographers do not simply choose one: they allow it to emerge naturally from their unique perspective.

‘Little Boxes’ by Anne Worner

‘New York World Trade Center 1’ by Yy Liang

‘on the street’ by Holger Droste